đ Share this article That Drifting Poo Was Far Too Meaningful! It's the TV Disappointments of the Year. As we reflect on the TV offerings of the past year, a selection of series emerge not for their excellence, but for their notable failures. From awkward spin-offs to bafflingly poor documentaries, here are the productions that left us utterly bewildered or simply reaching for the remote. And Just Like That Where to begin with this love/hate follow-up? Burdened with woeful scripts, painful arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show fought to find its footing. For a moment, as the third season started, it seemed as if it had finally found its groove. Then arrived an episode all about Seemaâs natural deodorant. No wonder the creator declared this would be the last series. It concluded on a low point; the closeup of Mirandaâs toilet flooded with poo was simply too on-the-nose. Yet, viewers certainly had a hoot picking apart every single âwtf?â moment. And as Carrie â a single woman once more â twirled around her palatial townhouse to Barry White, who didnât let out a small sob? The Kim Kardashian Drama âIs Kim Kardashian an actress? Of course she canât.â But that was practically the least of this show's problems. The recipient of a exceedingly uncommon zero star review, it was hard to know where to start listing the flaws. The hilariously leaden writing? The tedious veneration of affluence and materialism? The almost deliberate parade of cliches? Acting so poor they felt almost spiteful? Letâs just say âeach and every oneâ and never speak of this series again. However, a new season has been commissioned, so weâre probably going to have to. AKA Charlie Sheen Considering the restraining orders, domestic violence allegations and fatherly shortcomings, itâs fair to say Charlie Sheen has been a troubled figure. Not that youâd really have known it from this multi-part docuseries which chuckled along at Sheenâs various episodes of reckless hedonism while struggling to tell us a single thing we didnât already know. Instead, it felt as if this volatile personality was being indulged, so any pity this show might induce should be saved for the people who have had to suffer proximity with this charismatic but dismissive narcissist. The Iris Affair Naturally we understood it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises â or destroy all of humanity. We stuck with it out of sheer love for its stars ⌠but by the end, it felt like even they had given up trying. One scarcely reacted when his character died, and the other ultimately hacking Charlie with an axe ⌠in painfully slow-motion. That's what you call giving up the ghost. The Gangster Drama Shady figures convening in deserted boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its gangland drama back. Actually, that is harsh on the gangland dramas of the late 90s. Many look a bit old-fashioned now, but at least they didnât suffer the ignominy of having to accommodate baffling dialects. But there were many other problems. Mainly that it was just profoundly dull; a dispute over drug-selling territory between various London picaresques which seemed rather simplistic. The Meghan Markle Series Given the extent to which she grinds the gears of the nationâs performatively enraged commentators, itâs temptingly tempting to applaud the Duchess of Sussexâs televised ventures into quaint lifestyle as intentional statements. But then you watch them and are forced to concede that actually, they may have a point. Itâs like watching a homeware magazine come to life; a poster for wine oâclock with delusions of grandeur; a procession of snoozing dogs, humming beehives, sentimental sayings and forgettable crafting âhacksâ youâll not remember instantly. All underpinned by vast, largely undeserved wealth. Ugh. Victoria Beckham There are obviously interesting things to be said about regarding Victoria Beckham and her journey with career, self-image, self-worth. But for whatever reason, this three-part series chose not to say them. Instead, the viewing was like consuming a marketing brochure. She clearly has good reason to bridle at what she describes as her âmiserable cowâ image. But sadly, she failed to do herself any helps with this cagey non-event of a series. The Inheritance It should have been the next big hit â except even camper, with a glamorous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you want? As players competed, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: itâs still too complicated to detail what exactly was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The show ended up reeking of a programme that was trying way too hard to live up to something far greater than it. The Lena Dunham Romcom How does one follow a show that captured a generation? The pressure was enormous for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Jane Austen levels of romantic notions. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of famous cameos involved felt uncomfortable. The Sketch Show Return Not even good enough to be âpatchyâ. Given the shrewd recruitment of gifted emerging comics, expectations were high. But unhappily, most of it fell flat. A particular sketch was a single joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have remained in there a bit longer. The Twisted Tale of Amanda Knox This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled with care. Instead, the series struggled painfully to find the right tone, lurching from strangely jaunty, somewhat stylised farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Absolutely. The Maths Genius Thriller We love the lead actor ⌠but did we buy him playing the most brilliant maths genius in history, a man so smart heâs on the brink of a discovery that could ruin society? Nope! This globe-trotting thriller about secret services spying on â and killing off â intellectuals frankly got more farcical by the second. Silliness-by-numbers. The Bonnie Blue Documentary This uncritical portrait followed the content creator notorious for explicit exploits as she prepared for her biggest feat yet. What on earth would possess her? What we wanted was far greater examination of her true psyche, plus those of the men in the line. They could at least have spoken to the now-famous mum who appeared to drag her son out of the queue. What we got was disturbing imagery and zero interrogation of her notoriety whatsoever. And to think, the documentary-maker has a teenage daughter too.